VenesiaWorld is an experimental electronic artist, producer, and visual creator whose work has steadily carved out a distinctive place within the underground.

M¥SS KETA and Miss Bashful join forces on their new track, Hangover Girl, to craft an ode to the party girls (and gays, obviously).

Moving between Tokyo and London, sister duo tamanaramen create music suspended between memory and motion, where ambient intimacy meets dancefloor energy.

London-based Japanese-American artist RIEKO, chats about her latest single, ‘Fruit’, exploring mythology, Buddhism and Shinto…

In this exclusive editorial GATA favourite Vitalii Akimov teamed up with UK-based brand R & M Leathers and muse Lidija Judickaite to create a photo series…

Occupying a space that melds black metal nihilism, techno, and digital performance art, VMO have become notorious for their “death rave” style live shows.

TOO MUCH: A GATA SHORT FILM. This film examines how women are often labelled as “too much” by showing a woman who simply exists on her own terms.

With a style that draws heavily from Josean era folk art, comic book illustrations and the poetic absurdity of everyday life, Korean artist Apro Lee has quietly managed to carve out a unique space for himself in the global tattoo scene.

Kris Esfandiari is an artist who continues to evolve while pushing both boundaries and her own expectations …

With the release of his newest album sacrificio, Safety Trance returns with a sonic catalogue that combines gentle trance, industrial and experimental hard techno with a slice of goth and dembow rhythms.

Working between instinct and imagination, Naya Kotko creates photographs that feel suspended in another world. Her universe is shaped by subculture, emotion, and a постоян tension between control and chaos.

Tokyo, a cold night, endless movement and endless faces.

Tokyo rock unit bed are one of Japan’s newest groups to bite back at the traditional music industry.

GATA explores how the auteur deconstructed the American dream, exposing the darkness that exists within us all, without ever losing his lust for life.

In 2026, La Femme isn’t looking back. They’re still shapeshifting, still provoking, still proving that rock’s wild heart beats strongest when it refuses to behave.

Tokyo-based artist Yuki Umezawahas describes her style as “human modification” merging photographic portraiture with graphic touches to bend her subjects into hauntingly beautiful forms, GATA recently spoke to the artist, touching on the roots of her creative process and the importance of transformation and decay in her art.

There are designers who build brands, and then there are designers who build worlds. ILONA belongs to the latter. Raised between Los Angeles, Berlin, and Paris, her work challenges traditional fashion design to create a diary stitched in fabric: charged with memory, trauma and obsession.

Erotic cinema is less a genre than a shifting negotiation between desire and power. From stylised 1970s sensuality to contemporary industry realism, these films reveal how the body on screen becomes a site of fantasy, control, and confrontation.

For Valentine’s Day, we caught up with DeathbyRomy on romance as ritual, devotion as power play, and why being mutually obsessed is the only love language that matters.

In this conversation for GATA Magazine, Lindsay reflects on love as a creative force, on the rituals that anchor her days, and on her attraction to quiet, unguarded moments.

From London’s underground to posthuman fashion, Parma Ham is reshaping what it means to wear art. Sculptor, performer, DJ, and rave instigator, their world lives somewhere between ritual, nightlife, and extreme self-expression.

London has always been a city of reinvention, a place where young people have historically turned noise into culture and chaos into identity.

From the macabre skull chapels of Eastern Europe to minimalist-inspired structures of Japan, join GATA as we take a journey through some of the most bizarre and unique testaments to faith and worship.

At GATA, we love celebrating everything unappreciated or overlooked, so we prepared a list of five Polish directors, from influential masters known worldwide to more niche names, who are all an absolute must-see for any film enthusiast.

Ghosts Don’t Need Checkout Dates is the latest editorial from GATA; an experimental foray into the digital age we inhabit, a realm of simulation, simulacrum, and filtered social projection.

Tokyo. The neon metropolis of sound, motion and culture has long held the gaze of fashion devotees around the world. But behind the fits, who are the personalities that inhabit this city? GATA journeyed into the backstreets of Shibuya to capture some of the most stylish women in Japan’s capital, students, writers, DJs, artists, idols, to chat fears, dreams and the hard lessons of life.

For some, leather is a second skin; something like armour, sexy to the touch. GATA met with Ginji Osada, leather crafter, creator and mastermind of Ginzi, at his atelier in Tokyo. 

A dim, intricate world where beauty and terror intertwine. GATA sits with Kiryu, whose work transforms anxiety, darkness, and raw emotion into hauntingly elegant forms.

Some brands are built; others are born from myth. GATA Introduces: NISHIMOTO is the mouth